[Kahvi Collective Audio Sculptors - fa8 V3] #442: Nautilus / Nautilus - Kahvi Collective Electronic Vibes
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12:13 24.08.21
4T wrote:
FTP is being updated, should work again after that.
07:11 20.08.21
starquake wrote:
FTP doesn't seem to be working at the moment. Connection reset.
08:20 27.07.21
4T wrote:
You can use the music for non-commercial uses as long as you give correct credits for the music
20:47 25.07.21
Myron Gaines wrote:
Would I be allowed to use Kahvi music as background music in a (free) video released on odysee.com?
02:35 13.05.21
4T wrote:
Micksam mirrors disappeared a while ago. You'll have to use an FTP client
08:00 12.05.21
Phred wrote:
FTP is no longer supported by Firefox, so I can't download anymore :( the micksam7 mirrors don't work either.
07:00 29.04.21
Brylie wrote:
Wow! I'm really glad to see the Kahvi Collective back online :-)
08:06 28.03.21
4T wrote:
We don't have any control over how long it takes to move the release to the correct place on Scene.org unfortunately.
19:09 25.03.21
Phred wrote:
For the past few releases, it always takes a few days before the downloads work, is scene.org being difficult?
09:31 5.03.21
ruenoak wrote:
Great to see the site back up I've missed it
   
  ARTIST RELEASES     
 
 
#273: Polaski / Bendii Syndrome
M3U FMP3  Tracks : 4
 
After some successful releases of mix on Kahvi, Polaski has followed similar DJs in turning his attentions to the creation of his own original music. What follows is his first four track ep, heavily influenced by Boards of Canada (check Loss of Grandios) and Arovane.

A warm, fluid, easy listening collection of tracks, a sentimental edge with the classic off tone analogue sounds, subtle beats and addictive melodies. Polaski has studied the style of his favourite artists well, and this reflects in Bendii Syndrome.

After the harsh and distorted reality of Yards 'Swaggle Dub', Kahvi returns to a more mellow and chilled vibe. Enjoy this great premier from Polaski and lets wait for some more of his work in the future. Cover photograph by Robert Halvarsson
   
 
 
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